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Stone Sour - Upgrade Meet & Greet Packages

  • Date: June 21, 2017
  • Time: 7:01pm
  • Venue:
    Address:
    3900 West Manchester Boulevard
    Inglewood, CA 90305

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Upcoming Events for Stone Sour

When we last saw Stone Sour, the triple-Grammy nominated group was playing sold-out shows around the planet in support of 2006's critically acclaimed Come What(ever) May, a sonic blockbuster that entered Billboard's Top 200 Album Chart at No. 4 and went on to sell more than a half-million copies on the strength of three radio hits, including the No. 1 smash single, "Through Glass." Billboard hailed the record as "an intense, taut piece of work," Alternative Press called the group "masters of ass-kicking," adding," In a better America, Stone Sour would be the face of American rock," and Revolver magazine gave the disc four stars and praised the quintet for "demonstrating a dynamic range equaled by few of their peers."

Four years later, the quintet (vocalist Corey Taylor, guitarists James Root and Josh Rand, bassist Shawn Economaki and drummer Roy Mayorga) have returned with a broadened range, a deepened perspective and the determination to make new album AUDIO SECRECY a multi-layered record free of stylistic limitations. "It's everything I've ever wanted to do on one album," says Taylor. "It's heavy, it's melodic, it's dark, it's slow, it's light and it's beautiful. You'll hear something different with each listen."

The group recorded AUDIO SECRECY with Come What(ever) May producer Nick Raskulinecz (Foo Fighters, Alice In Chains, Deftones) at Nashville's Blackbird Studios. When they weren't working on the album, they spent their free time living in a spook-filled crashpad. "That house put us through hell," laughs Taylor. "It was really old, so everything was broken down and leaking and infested with wasps and spiders. I'd get lost because there were so many damn rooms. It was like living in the Haunted Mansion at Disney World. It did keep us in the right mood, though, so maybe we should thank it in the liner notes."

Stone Sour does a lot of things brilliantly—and they do most of them on AUDIO SECRECY, beginning with "Mission Statement," an electrifying track that breaks from the gate with white-knuckle intensity. "It punches you in the face and drags you by the hair like a caveman," laughs Taylor. Prior to the album's release, the band offered "Mission Statement" as a free download. Fans responded en masse and the track was downloaded more than a 1,000 times an hour within a two day period.

Among AUDIO SECRECY's endless highlights is "Say You'll Haunt Me," a heavy-with-melody rock track that best exemplifies the band's ability to pull in fans from cross-pollinating directions. At the album's centerpiece is "Hesitate," an epic "November Rain"-ish type track that's both melodic and melancholic with orchestral strings and a soaring chorus. About the song's emotion, Taylor says, "Lyric-wise, I'm writing from a more personal space here. Whether talking about a relationship or being a father or finding my soul mate, I'm putting it out there for everyone to hear and feel and see if anybody can relate."

The album's title is a play on words for idiosyncrasy. "I'm a fan of double meanings and metaphorical speak," muses Taylor. "There are so many levels to what those two words combined could mean. As a title, it perfectly fit the album."

For guitarist Josh Rand, the track "The Pessimist" holds a special significance. "It's the heaviest song we've done up to this point. I spent a day and a half studying the Hindu scale for the lead. The guitar solo for that song has a very Eastern sound." The song sees Rand shredding with a precise, powerful solo that's melodic and metallic. All the while, it preserves a unique feel.

"The great thing about Stone Sour is that we've got five writers in the band and the sound is like different pieces of cloth coming together to form a blanket," says Taylor. "All you have to do is pull the strings a little tighter to bring those pieces together. Everyone in the band brought in material and we came up with an album that's really alive."

"Threadbare" was written by Mayorga and marks a songwriting debut for the drummer. "The band was really cool and encouraged me to throw some music into the hat," he says. "It's one of the longer, weirder and darker tracks on the record. I'm thrilled everyone embraced it and made it a Stone Sour song. It's very progressive, and it makes for a nice little rollercoaster ride."

Economaki goes deeper into the track, adding, "It's absolutely epic. It's got clean melodies and it modulates. It takes the listener to a whole different dimension."

In addition, Stone Sour's trademark dual guitar assault became even tougher with Jim Root and Josh recording simultaneously. There was no need for them to over-digitize parts or go back and water everything down with Pro Tools. Taking an old school approach, both guitarists entered the booth and ripped away. Says Rand, "We're like five guys playing in a garage and it reflects in the music. There's a song for every mood you can possibly go through in a day."

"This album really represents everything we've been threatening to do," says Taylor. "It has so many different vibes and styles…it's probably the best thing I've done in a long time."

That's a helluva statement considering Taylor's resume, which includes his "other gig" as the lead singer of multi-platinum Grammy winning band Slipknot (Root also pulls double-duty, playing guitar for both groups).

"I'm not trying to change the world, I just want to make music and get some shit off my chest," smiles Taylor. "But at the end of the day, I hope people dig this record. I hope they grab onto something that they want to sing all day. I hope it gets them excited. I hope it makes them think and I hope it makes them want to start their own bands. I hope it makes them happy and most important of all, I hope they feel that it was worth the wait."

Upcoming Events for Korn

Korn will never forget where they came from: a dark place where salvation arrives in the form of twisted, throbbing guitar riffs, syncopated chaotic funk beats, a schizophrenic bass thump and an unmistakable cathartic howl. Emerging from the depths of Bakersfield, California with a sound unlike any other in 1994, Korn have been able to cement themselves as one of the most important bands in rock n' roll history.

Over the course of eight full-length releases, Korn have sold in excess of 30 million albums and played countless sold-out shows worldwide. They've won two Grammys—one for Best Short Form Video for "Freak on a Leash" from 1998's Follow the Leader and one for Best Metal Performance for "Here to Stay," from 2002's Untouchables—and have launched a massively successful festival of their own, The Family Values Tour. However, despite all their massive success and accolades, Korn haven't lost hold of the savage, raw energy that made them such a crucial band for diehard rock and metal fans. Korn are one of the preeminent voices of this generation.

Their ninth offering, Korn III —Remember Who You Are, is their first effort for brand new label home, Roadrunner Records, and it bursts at the seams with that very feeling that defined the band from the get-go. Each song unleashes an uneasiness reminiscent of Korn's earliest and most unbridled material, but there's also a modern refinement that's epic in its execution. Korn definitely don't lose sight of their roots on Remember Who You Are, but they also venture into uncharted darkness. All that truly matters is where they're going. The album strikes a balance between their past and their future, as it finds the band reuniting with producer Ross Robinson, who manned the boards for their first two records, all the while joining forces with Roadrunner Records, the world's leading rock label.

With Korn III – Remember Who You Are, it's their time...

Korn bleed with unsettling and unpredictable aggression on Remember Who You Are's 10 tracks. "Oildale (Leave Me Alone)" buzzes with an eerie clean guitar that slowly gives way to a steamrolling bass and riff assault. "Move On" morphs from a myriad of creaking tones into an explosive vocal freak-out that's impossible not to connect with it on a visceral level. Then there's the neck-snapping "Fear Is A Place to Live" tempering deadly guitar dissonance with an unforgettable chorus. This is Korn reborn.

"This album is a reflection of us being a band since 1993," says vocalist Jonathan Davis. "We worked hard on the previous records, and we experimented a lot. For Remember Who You Are, the four of us got together in a small room with the intention of writing an old school Korn record. This album is a perfect mixture of everything we've done, and this version of the band is the best ever." It's as if Korn revisited their storied beginnings, but as a wiser, tighter and more precise outfit blessed with the benefit of experience.

In order to tap into the chaos that made their self-titled debut a modern classic, the band enlisted the help of the man who helmed Korn and Life is Peachy—producer Ross Robinson, whose goal was to bring Korn back to square one. He undoubtedly succeeded. Davis had an intense and invigorating recording session. "Ross helped us remember what we used to do this for," the singer says. "It was more psychological than anything. Ross was right there pushing me and he drove me insane. I sing about a lot of things that hit really close to my heart and he knew how to trigger that. I nearly fucking broke down at the end of almost every song, but I got it all out."

For guitarist James "Munky" Shaffer, the experience was no different. He elaborates, "Teaming up with Ross has brought that raw, emotional feeling back to the music. Ross is the only person in the world that's ever been able to draw us to that place. He reminds us why we're here, why these songs are important to our fans and why what we do as a band relates. He made us remember how our music saves lives, and he came into the picture at the perfect time. We had no record label and just wanted to make a great album. Ross stepped in at the right moment to hit the reset button."

Hitting that "reset button" involved stripping down the process. There would be no Pro-Tools, no tracking separately and no heavy post editing. In order to conjure Remember Who You Are's claustrophobic yet wholly organic chaos, Korn recorded on two-inch tape and locked themselves inside a 10x10 room buried within their Los Angeles studio, nicknamed "The Cat Box." Being in such close proximity to one another stirred up a torrent of explosive music. Bassist Reggie "Fieldy" Arvizu remembers, "In that room, even if I turned my bass head, it would hit somebody. Getting back in there was like a family reunion. We felt like brothers again. Being older and setting egos aside, we were able to focus on making the best record we could."

Davis dug deep for cuts like "The Past" and "Never Around." About "The Past," the singer says, "A lot of people dwell on the past, and they feel guilt. There's nothing you can do about the past because it's gone and it's blown up. We're here now." On Korn III – Remember Who You Are, Davis is fully present and at his most vitriolic, violent and vibrant on the likes of "Move On" and "Are You Ready to Live?"

He goes on, "I let everything flow, while I was coming up with lyrics. They're about me living my life for others when I shouldn't, people-pleasing all of the time, stress, guilt and all kinds of emotions we live with everyday that destroy us and tear us down. I write about all of the fake people around us and how I always try to fix other people's problems. I write what I feel, and it comes out naturally. I've got a lot of shit built up inside me; that doesn't go away."

Even though Korn went back to square one, they continue to break new ground. In a career marked by innovation, they still smash boundaries. Munky even fingerpicks certain instrumental passages, while trying out new tones on echo-y soundscapes. "The heavier I play, the more you can hear the aggression. The lighter I pick, the lighter the mood is," he said. "I used vintage guitars, echos, long delays and reverbs. When we did the first two records, we broke the music down to a completely emotional beast. Through the years, we started to experiment with vocal harmonies and more orchestrated pieces. Recording this album, we brought that knowledge into the raw emotion of what we already knew. You hear the melodies and layers, but it still comes from a very primitive Korn."

That primitive Korn includes drummer Ray Luzier, who became Korn's touring drummer in late 2007 and was made an official member in 2009. On cuts like the deadly "Fear Is A Place To Live," he propels the aggression. Fieldy says, "Ray is like the missing Korn member we never had. He just fits so well. When we found him, it just clicked because his playing sounds like Korn. He plays with me, and the way that he plays is exactly what I needed. We know what we're doing on stage with each other, and everybody's on the same page. I've waited my whole career for Korn to sound like we do now."

Korn may have changed members with Brian "Head" Welch and David Silveria departing in 2005 and 2006 respectively, but Jonathan, Munky, Fieldy and Ray capture the feeling that was there in the beginning.

For Davis, the album name covers it all. "It comes down to one question: 'Who the fuck am I?' It's about remembering where we came from. The title sums up everything I'm talking about lyrically. During the first two records, we were kids, and we didn't have anything. We were making music, having fun and not worrying. I went back to that place where I wasn't worried. I wanted to be completely honest with my feelings, express myself and let them out. People get so wrapped up in social communities, the Internet and technology that they forget who they are and what life's really about. I fucking forgot who I was until I did this record. This album is just a bass, a guitar, drums and my vocals. I look at the records we've done as slots in time, and I believe Remember Who You Are is very special."

The album captures the band's legendary performance style that's ignited crowds worldwide on stages ranging from OZZfest and Projekt Revolution to Woodstock and Download. It's the same spirit that gave pop culture hits such as "Blind," "A. D.I. D.A. S.," "Got the Life," "Falling Away from Me" and "Twisted Transistor." It's clear, however, that Korn III – Remember Who You Are is another thrilling chapter being etched into Korn's already impressive history.

"There's that timeless space that we enter where nothing else matters on stage," says Munky. "It's us, the crowd and the music. We lose track of where we are and who we are, and it's just a timeless shared space between us and the audience. We lose ourselves in the music. I want fans to lose themselves in the new music by forgetting about any problems or anything going on in their minds and let their hearts hear it. It's the same experience that I get when I'm on stage."

The process brought them back to the beginning, but it also encouraged serious growth. Everyone is locked in like never before. Fieldy adds, "We want to take you on a rollercoaster with this record. There are spacey and weird parts where the bass can breathe and there are some heavy moments. On Remember Who You Are, I'm doing what I really wanted to do on our first record."

In the end, this is for the people that made Korn—the millions of kids worldwide that buy every record, wear every shirt and never miss a show. Davis concludes, "I love doing what I do. I love helping kids. I love hearing fans say, 'You got me through this or that.' It makes me feel like I've done something positive. I want kids to feel what I'm saying and really hear it. I'd love for the new songs to provoke them to think about what goes on around them. We're very fortunate to keep doing what we're doing, still be relevant and create music that invokes feelings from people."

With music this powerful, no one will ever forget who Korn are.

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